was driven by women screenwriters like Anita Loos, Frances Marion, and Dorothy Arzner who together wrote dozens of screenplays. There were also more women directors making movies in Hollywood’s early years than the tiny 6% produced between 2013-14. Moreover, these women writers and directors produced original work with strong female leads rather than today’s tokenistic and unwanted reboots like Ghostbusters and Ocean’s 8. Where it all went wrong is a moot point—perhaps the Hays Code had something to do with it or the easy common denominator of crash commercialism.
I prefer ye old Golden Age movies than the majority of dire, sloppy, flicks churned out today, which, in large part, is why I dig this vintage scrapbook featuring newspaper and magazines clippings of some of Hollywood’s greatest stars. This scrapbook was compiled by I. F. Grant—who s/he was is a mystery but they were certainly assiduous in their dedication to collecting some choice pix and stories of Hollywood’s stars. Another reason this volume appeals is a liking for collage, with many of the following pages reminiscent of work by Grete Stern, Matthieu Bourel, Deborah Stevenson, and John Stezaker.
I prefer ye old Golden Age movies than the majority of dire, sloppy, flicks churned out today, which, in large part, is why I dig this vintage scrapbook featuring newspaper and magazines clippings of some of Hollywood’s greatest stars. This scrapbook was compiled by I. F. Grant—who s/he was is a mystery but they were certainly assiduous in their dedication to collecting some choice pix and stories of Hollywood’s stars. Another reason this volume appeals is a liking for collage, with many of the following pages reminiscent of work by Grete Stern, Matthieu Bourel, Deborah Stevenson, and John Stezaker.
