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Showing posts with label doc's. Show all posts
Showing posts with label doc's. Show all posts

DOCUMENTARY: THE LOCKHEED YF-12


The Lockheed YF-12 Interceptor was the aircraft that would go on to become the SR-71 Blackbird – one of the most famous of all the Skunk Works projects. The YF-12 was capable of Mach 3 and above, it set 9 world records for speed and altitude in a single afternoon (later surpassed by the SR-71), and it was used as a cover for the top secret, CIA funded A-12 reconnaissance aircraft. Sightings of the CIA spy plane would be attributed to the already public YF-12 – providing cover for the A-12 that was being used by the CIA for high altitude reconnaissance over some of the most sensitive areas on Earth.

This official NASA film covers the development and testing of the original Lockheed YF-12 in the early 1960s, it’s fascinating look into the development of staggeringly advanced machines in an age before computers were used significantly in the design and development process. The YF-12 first flew in 1963, just 60 years after the Wright Brothers first powered flight in Kitty Hawk, North Carolina.


Van Gogh Documentary To Be First Completely Painted Feature Film Ever



Did you know that “Loving Vincent” will be the world’s first feature length painted animation, with every shot painted with oil paints on canvas, just as Van Gogh himself painted? Directed by the classically trained Dorota Kobiela and based out of Poland, over 100 painters were needed to create the film’s 12 oil paintings per-second animation. According to IMDB, the film should be released sometime this year.

“Loving Vincent is an investigation delving into the life and controversial death of Vincent Van Gogh, one of the world’s most beloved painters, as told through his paintings and by the characters that inhabit them,” reads the film synopsis. “The intrigue unfolds through interviews with the characters closest to Vincent and through dramatic reconstructions of the events leading up to his death.”

More info: lovingvincent.com | kickstarter | Facebook (h/t: colossal)












World’s Littlest Giant: The Curious Case of Adam Rainer

by The Chirurgeon's Apprentice

I often write about rare medical disorders, but there is one extraordinary case which is so strange, that there is only one documented instance of it in medical history. It involves a man who was both a dwarf as well as a giant over the course of his lifetime.

Adam Rainer was born in Graz, Austria to average-sized parents in 1899. When WW1 broke out, Rainer tried to enlist in the army, but at 4’6.3’’ inches tall, he was deemed too short and weak. A year later, Rainer tried again, and although he had grown a full 2 inches, the army rejected him once more on the basis of his height. Standing 4’8.3’’ inches tall at the age of 19, Rainer was considered a dwarf, being nearly 2 inches below the cut-off (4’10’’).

Although he was short, medical reports from the period state that Rainer had abnormally large hands and feet for his height. When he first tried to enlist in the army, he wore shoes sized US 10 (EU 43). Three years later, his feet had doubled to a size US 20 (EU 53), though his height remained relatively static. To put this in perspective: US basketball player, Shaquille O’Neal, wears shoes sized US 23.

At the age of 21, all this changed.

Rainer suddenly began growing at an alarming pace. Over the next decade, he grew from just under 4’10’’ to a shocking 7’1’’. During this period, Rainer also began developing a severe spinal curvature.

What exactly was the cause behind this growth spurt?

Between 1930 and 1931, Rainer was examined by Drs A. Mandl and F. Windholz, during which time they discovered he was suffering from a condition known as acromegaly. In Rainer’s case, this was caused by a tumour on his pituitary gland which led to an overproduction of growth hormones in his body. This was the reason behind his strange appearance, for Rainer didn’t just have abnormally large hands and feet. He also had a protruding forehead and jaw, as well as thick lips set over widely-spaced teeth. Below are images of man with acromegaly – you can see the effects of this syndrome on his facial features as he ages:

The two doctors decided to operate despite believing the chances for success were small given the fact that the tumour had been growing for over a decade. A few months after surgery, Rainer was measured again. His standing height had remained the same, though his spinal curvature was more severe, indicating that he was still growing, albeit at a much slower rate.

Rainer’s health continued to deteriorate. He went blind in his right eye, and began suffering hearing loss in his left ear. Over time, his spinal deformity became so pronounced, Rainer was confined to bed.

He died, aged 51, measuring 7’8’’ – though some newspapers reported his height as 7’10”. He is the only man in history to be classified as both a dwarf as well a giant; and for me, he is a testament to the marvels of the human body.


A Short Documentary About People Who Live in Sophisticated Tree Houses

“Would You Live in a Treehouse?” is a short documentary by The Atlantic that profiles people who live in fully furnished “grown up” tree houses, part of a recent movement to live in smaller spaces that better commune with nature.

Karla - True story about a woman who falls in love with a violent rapist and murderer

"True story about a woman who falls in love with a violent rapist and murderer. Karla Homolka marries Paul Bernardo despite already having aided him in the rape and murder of her younger sister. Through their marriage he brags to her about other rapes he commits and involves Karla herself in the sexual assault and murder of two other female victims. Told from Karla's point of view."



IMDB Link







Plot
The film starts with a framing device of psychologist Dr. Arnold (Patrick Bauchau) in a session with Karla Homolka (Laura Prepon) at Canada's Regional Psychiatric Centre in Saskatoon, Saskatchewan. Dr. Arnold's evaluation will determine Karla's eligibility for parole. During the session, Dr. Arnold shows Karla a photo album of herself and her husband Paul Bernardo (Misha Collins) in happier times, and Karla has a memory of how they first met.
However, when Dr. Arnold introduces the subject of Karla's sister Tammy, Karla becomes uncooperative. Over the following weeks, Dr. Arnold probes Karla about her knowledge of Paul's secret life as a serial rapist, and it is revealed that shortly before their marriage Paul began to rape women
Paul is open with Karla about his crimes, yet Karla does not object to them, even when Paul begins to bring his victims home. Although disturbed at that part of Paul's life, Karla learns to accept it. At Paul's request, Karla hesitantly participates in these assaults. During one such assault, Paul strangles his victim after the girl sees his face. He cuts the body into pieces and seals them in cement blocks, which he then dumps into a lake. On the day of Paul and
Karla's wedding, the girl's body is discovered. Paul stops raping and abducting for a time, but his anxiety and pent-up frustration cause him to become violent toward Karla. Paul's friends see the change in his personality and break off from him. Meanwhile Karla, suffering from the abuse and desperate to reclaim his affections, helps Paul abduct and rape another young girl, "Kaitlyn Ross" (based on Kristen French).
Kaitlyn's disappearance immediately attracts a storm of media and police attention, so Paul kills Kaitlyn to be rid of her. As part of the investigation, the police arrive at Paul's house. Paul is very cooperative so the police leave satisfied, but, afterwards, he beats Karla mercilessly. Karla takes refuge with friends before reporting the assault. Paul is then booked under domestic violence but is released after only one night in jail.

Back at the Regional Psychiatric Centre, Dr. Arnold asks Karla about her relationship with her younger sister (Tammy Homolka) and her jealousy towards Tammy because of Paul's attraction to her. Karla confesses that Paul wanted to take Tammy's virginity and that he wanted Karla to "give" Tammy to him. Karla agrees to help him rape her sister.

One Christmas Eve, Karla and Paul give Tammy a drug-laced alcoholic drink until Tammy passes out. Karla presses a rag soaked in animal tranquilizer against her sister's face so that she will not regain consciousness while Paul rapes her. Paul begins recording the assault on video and demands that Karla participate, striking Karla when she hesitates. In the middle of the assault, Tammy starts to choke. Karla and Paul panic and attempt to revive her before calling 9-1-1. While Karla disposes of the tranquilizers, Paul dresses Tammy and hides the video tape, though the tranquilizer-soaked rag has left a chemical burn on Tammy's face. Police and ambulance arrive, but Tammy is pronounced dead at the hospital.
Karla tells Dr. Arnold that Paul became obsessed with Tammy and kept watching the video after her death, even showing it to friends. Paul also threatened to reveal Karla's role in her sister's murderif he should get into any more trouble, but Karla finally leaves him anyway.
Shortly thereafter the DNA samples Paul provided as part of the Scarborough rape investigation are matched to the evidence found on one of the murder victims. Both he and Karla are subsequently arrested. During the trial, Paul testifies that Karla killed Kaitlyn Ross with a mallet. Karla denies all the killings. Paul is convicted on two counts of murder without any possibility of parole. Karla is given a sentence of twelve years in exchange for a guilty plea for manslaughter.

The film ends with a note explaining that Karla's parole was denied, as the psychologist found her artificial, manipulative and without r
emorse.

Kenneth Anger: Film as Magical Ritual (1970)

http://www.imdb.com
Director:
Reinhold E. Thiel


If you’re a Kenneth Anger fan, be prepared to be seriously blown away by this astonishing German television documentary from 1970 that shows the master at work on Lucifer Rising. It’s fun to ponder, as you watch, what the average German must have thought about this film, which doesn’t flinch from presenting some of the most outrageous ideas and imagery ever to be broadcast to an entire (unsuspecting) nation. It’s magnificently freaky stuff.

Not only would this have been the first look the world would get of Anger’s magnum opus (which he is seen shooting Méliès-style in a tiny space) there are substantial excerpts from Fireworks, Inauguration of the Pleasure Dome, Rabbit’s Moon, Puce Moment, and Invocation of My Demon Brother, which showed hash smoking (and cocks!) on TV. It’s impossible to imagine something like this ever getting on television in America 44 years ago, but I don’t think the BBC would have touched something this insane at the time, either.



As filmmaker Reinhold E. Thiel admits in his voiceover, it was Anger directing himself that they got on film. As he states, Anger really wasn’t that into allowing them to film him in the first place, but when he did relent it was on his terms. Anger’s interview segments were shot as he sat behind a makeshift altar, lit in magenta and inside of the magical “war gods” circle seen at the end of the film.

Of special note is we see Anger flipping through his “Puce Women” sketchbook (he’s an excellent illustrator) of his unmade tribute to the female archetypes of Hollywood’s golden era and the architecture of movie star homes (This notebook was on display at the Anger exhibit at MOCA in Los Angeles). Anger is also seen here shooting scenes with his Lucifer, Leslie Huggins (both interior shots in Anger’s makeshift studio and among the stones at Avebury) and with the adept in the war gods circle. Oddly, we can hear what the adept is saying (“Haven’t I seen you somewhere before?”) whereas in the final film he just seems to be muttering something mysterious when Lucifer appears.



Anger discusses his Aleister Crowley-inspired theories of art: How he views his camera like a wand and how he casts his films, preferring to consider his actors, not human beings but as elemental spirits. In fact, he reveals that he goes so far as to use astrology when making these choices.

This is as direct an explanation of Anger’s cinemagical modus operandi as I have ever heard him articulate anywhere. It’s a must see for anyone interested in his work and showcases the Magus of cinema at the very height of his artistic powers. Fascinating."







Faces of Evil - Carl Panzram:The Spirit of Hatred and Vengeance

http://www.imdb.com/title/tt1756447/
Synopsis
A lifelong criminal and serial killer, Carl Panzram befriends Henry Lesser, a young jail guard at the Washington DC jail in 1928. After hearing of Panzram's torture, Lesser sends Panzram one dollar and convinces the killer to write his autobiography while secretly supplying him with pencil and paper. Panzram writes over 40,000 words documenting his entire life of incarceration, torture, rape, and murder.
Included is footage of Panzram's handwritten papers, Leavenworth Penitentiary, Clinton Prison and Red Wing Youth Correctional Facility, and an exclusive interview with Panzram's jail guard Henry Lesser. John DiMaggio provides the voice of Carl Panzram.
Panzram is the third feature film by producer/writer/director John Borowski.


Awards
2012 Director's Choice Award - Chicago Horror Film Festival




Carl's Short Bio.

Carl Panzram (June 28, 1891 – September 5, 1930) was an American serial killer, rapist, arsonist and burglar. He is known for his confession to his only friend, prison guard Henry Lesser. Panzram confessed to 22 murders, and to having sodomized over 1,000 males. Imprisoned a number of times, he was finally hanged for having murdered a prison employee at Leavenworth Federal Penitentiary in 1930.




Imprisonment and confession

In 1928, Panzram was arrested for burglary and held in Washington, D.C. During his interrogation and incarceration, he voluntarily confessed to killing two boys. At this time, he was befriended by a prison guard named Henry Lesser (1902–1983). Lesser gave Panzram some writing materials which the prisoner used to write his autobiography, detailing his crimes and his nihilistic philosophy:

“ In my lifetime I have murdered 21 human beings, I have committed thousands of burglaries, robberies, larcenies, arsons and, last but not least, I have committed sodomy on more than 1,000 male human beings. For all these things I am not in the least bit sorry"  

Aftermath


Henry Lesser pressed for the manuscript to remain unpublished for forty years, and it was finally released in 1970 as Killer: A Journal of Murder. It has gone through a number of reprints, the latest being in 2002. The 1996 movie Killer: A Journal Of Murder was based on Panzram's final years, with James Woods as Panzram and Robert Sean Leonard as Lesser. Lesser donated the Carl Panzram papers (archival material) to San Diego State University in 1980, where they are housed in the Malcolm A. Love Library. In 2012, filmmaker John Borowski released the documentary film Carl Panzram: The Spirit of Hatred and Vengeance.

"I don't believe in man, God nor Devil. I hate the whole damned human race, including myself. I preyed upon the weak, the harmless and the unsuspecting. This lesson I was taught by others: Might makes right."
Carl Panzram (1891–1930)

Execution
In light of his extensive criminal record, he was handed a 25-year sentence which was to be served at Leavenworth Federal Penitentiary. "I'll kill the first man that bothers me," Panzram told the warden. Because he was considered psychotic, he was given a solitary job in the prison laundry room. Then on June 20, 1929 he killed Robert Warnke, foreman of the prison laundry in Leavenworth, by battering him to death with an iron bar. Panzram was sentenced to death and he refused to appeal his sentence, even threatening to kill human rights activists who attempted to intervene on his behalf.

Panzram was hanged on September 5, 1930. While the noose was being put around his neck, he allegedly spat in his executioner's face and declared, "I wish the entire human race had one neck, and I had my hands around it!" When asked by the executioner if he had any last words, Panzram barked, "Yes, hurry it up, you Hoosier bastard! I could hang a dozen men while you're screwing around!"

He was buried at the Leavenworth Penitentiary Cemetery.



In 1922, when he was held prisoner at the Washington, D.C., city jail, detectives questioned Panzram about McMahon's murder in Salem, Massachusetts. One of the interrogators asked him what was the point of killing a helpless child. Panzram looked up with the cold, dead eyes of a feeding shark.

"I hate all the f***ing human race," he said, "I get a kick out of murdering people." 

It could have been his epitaph.


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