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Showing posts with label Persona. Show all posts
Showing posts with label Persona. Show all posts

Trevor Billmuss: The psych-folk singer who released one delightfully strange LP and then vanished


from:


When discussing rarely heard rock artists, the “enigma” word has certainly been overused, but British singer-songwriter Trevor Billmuss is truly a mysterious figure. After an album of his tunes was released—and failed to sell—Billmuss vanished. The LP, Family Apology, is now quite obscure. It’s also a stellar example of orchestrated psych-folk, and is worthy of wider exposure.

In September 1970, Family Apology was issued by the UK label, Charisma Records. A single consisting of two songs from the LP also came out at the time. The album was produced by John Anthony (Roxy Music, Van der Graaf Generator, Queen). Anthony was an in-house producer at Charisma, a label that primarily released prog rock records.

Billmuss wrote the thirteen tracks that make up the Family Apology LP. The material is very British, with ornate orchestration and the occasional acoustic guitar. To my ears, he sounds like a cross between Donovan’s flowery acid folk, and the surreal, darkly whimsical work of acid casualty, Syd Barrett. Many of Billmuss’s compositions concern the universal themes of love and heartbreak, but he’ll throw in wonderfully head-scratching lines like, “the crisis of decision ‘bout your nephew’s circumcision was tragic relief” (“September”). The old timey arrangement and British humor heard on the cutting break-up song, “Whoops Amour!,” brings to mind the Bonzo Dog Doo-Dah Band, and I can totally imagine a young Robyn Hitchcock covering “The Fishing Song,” which includes the lyric, “flippy flappy fishy in the bathroom.” In album opener, “The Ground Song,” Billmuss sings about class, the desire to escape a family so dysfunctional that he’s “dying to do my famous little disappearing act,” and the randomness of existence. The surreal poetry of the first verse will later turn into a rousing refrain.

The ground is in my hand and my hand is in my elbow
And my elbow is in my arm and my arm is in my shoulder
And my shoulder is in my chest and my chest is in my carcass
And my carcass is on my legs which are standing on the ground

Neither Family Apology nor the 45 charted. It seems that a combination of factors contributed to Billmuss’s lack of success: Charisma was chiefly a prog rock label, and probably didn’t know what to do with Billmuss; as great as the LP is, the time for this sort of music had essentially passed.

Wrong place, wrong time.


Whatever his rationale for leaving it all behind—which might always be unclear to fans of his lone album—Billmuss did his “little disappearing act” and was gone.

Family Apology has yet to be reissued in any format. As the LP didn’t exactly set the world on fire, it’s now pretty rare, though copies turn up for sale now and then (try Discogs and eBay). A vinyl rip of the record is streaming below.

Here’s the track listing:

Side A:
1. The Ground Song
2. Reflections on Lady MacBeth
3. The Viennese Carousel
4. September
5. Sunday Afternoon in Belgrave Square
6. Hungarian Peasant Girl
7. Epitaph for Matthew

Side B:
1. Whoops Amour!
2. The Flaming Bossa Nova
3. Casual Friends
4. Pousette Et La Citrouille
5. The Fishing Song
6. Wise Eyes


S#d#my, sake, murderous monsters & sketches straight from Hell: The art of Kawanabe Kyōsai

Born 1831 in Koga, Japan, artist Kawanabe Kyōsai (sometimes noted as Kawanabe Gyosai) had the distinction of being a highly influential artist during both the Edo period (1603-1867) and the Meiji period (1868-1912). Another distinction Kyōsai earned during his career was being known as “the demon of painting” most likely a nod to the volume and diversity of work Kyōsai produced which was admired by influential creatives not only in Japan but in France and the UK while he was active. His work during the Meiji period was known for its infusion of politics and satire as well as his use of caricature which got him in trouble with the authorities. 
What exactly ticked the cops off is a bit murky. Some cite following a night of pounding sake with his fellow artists and writers, Kyōsai was arrested for creating works which were critical of Japanese political figures and the police. One of Kyōsai’s paintings “Instructions for Drinking Parties” (1870) has also been named as a culprit in this caper as it was suspected of portraying Westerners and Japanese engaged in acts of “sodomy” and sent him to the slammer. Kyōsai spent three months in jail and received 50 lashes just for creating art.


“At about 11 o’clock in the morning on 30 June 1880, the renowned Japanese painter Kawanabe Kyōsai started work on his great curtain for the Shintomi theatre. It was to be a version of the classic subject the One Hundred Demons, and as Kyōsai wielded his huge painting broom, their faces began to take shape. But there was something different about them. These were not the elegant forms of the Ukiyo-e painters. They were wild-eyed, manic creatures who moved across the picture in a frenzy of diabolical abomination. This was Kyōsai “crazy painting.”


 

Roza Georgiyevna Shanina

Roza Georgiyevna Shanina (Роза Егоровна Шанина).
 
She was a Red Army sniper during World War II, credited with fifty-four confirmed hits. Praised for her shooting accuracy,
Shanina was capable of precisely hitting moving enemy personnel.

Shanina volunteered for the military after the death of her brother in 1941 and chose to be a marksman on the front line. Praised for her shooting accuracy, Shanina was capable of precisely hitting enemy personnel and making doublets (two target hits by two rounds fired in quick succession).
In 1944, a Canadian newspaper described Shanina as "the unseen terror of East Prussia".
 She became the first Soviet female sniper to be awarded the Order of Glory and was the first servicewoman of the 3rd Belorussian Front to receive it. Shanina was killed in action during the East Prussian Offensive while shielding the severely wounded commander of an artillery unit. Shanina's bravery received praise already during her lifetime, but conflicted with the Soviet policy of sparing snipers from heavy battles. Her combat diary was first published in 1965.

 
 

Death

In the face of the East Prussian Offensive, the Germans tried to strengthen the localities they controlled against great odds. In a diary entry dated 16 January 1945, Shanina wrote that despite her wish to be in a safer place, some unknown force was drawing her to the front line.
 In the same entry she wrote that she had no fear and that she had even agreed to go "to a melee combat." The next day, Shanina wrote in a letter that she might be on the verge of being killed because her battalion had lost 72 out of 78 people.
Her last diary entry reports that German fire had become so intense that the Soviet troops, including herself, had sheltered inside self-propelled guns. On 27 January Shanina was severely injured while shielding a wounded artillery officer. She was found by two soldiers disemboweled, with her chest torn open by a shell fragment.
 Despite attempts to save her, Shanina died the following day near the Richau estate (later a Soviet settlement of Telmanovka), 3 kilometres (1.9 mi) southeast of the East Prussian village of Ilmsdorf.
Nurse Yekaterina Radkina remembered Shanina telling her that she regretted having done so little.
 By the day of Shanina's death the Soviets had overtaken several major East Prussian localities, including Tilsit, Insterburg and Pillau, and approached Königsberg. Recalling the moment Shanina's mother received notification of her daughter's death, her brother Marat wrote: "I clearly remembered mother's eyes. They weren't teary anymore. ... 'That's all, that's all'—she repeated"
 Shanina was buried under a spreading pear tree on the shore of the Alle River—now called the Lava
 and was later reinterred in the settlement of Znamensk, Kaliningrad Oblast

 

Stanislav Petrov - "the man who single-handedly saved the world from nuclear war" (1939 - 2017)

Stanislav Yevgrafovich Petrov (7 September 1939 – 19 May 2017) was a lieutenant colonel of the Soviet Air Defence Forces who became known as "the man who single-handedly saved the world from nuclear war" for his role in the 1983 Soviet nuclear false alarm incident.

On 26 September 1983, just three weeks after the Soviet military had shot down Korean Air Lines Flight 007, Petrov was the duty officer at the command center for the Oko nuclear early-warning system when the system reported that a missile had been launched from the United States, followed by up to five more. Petrov judged the reports to be a false alarm, and his decision is credited with having prevented an erroneous retaliatory nuclear attack on the United States and its NATO allies that could have resulted in large-scale nuclear war
Investigation later confirmed that the Soviet satellite warning system had indeed malfunctioned.


Incident
Main article: 1983 Soviet nuclear false alarm incident

According to the Permanent Mission of the Russian Federation to the UN – on 19 January 2006, over 22 years after the incident – nuclear retaliation requires that multiple sources confirm an attack. In any case, the incident exposed a serious flaw in the Soviet early warning system. Petrov has said that he was neither rewarded nor punished for his actions.

Had Petrov reported incoming American missiles, his superiors might have launched an assault against the United States, precipitating a corresponding nuclear response from the United States. Petrov declared the system's indication a false alarm. Later, it was apparent that he was right: no missiles were approaching and the computer detection system was malfunctioning. It was subsequently determined that the false alarm had been created by a rare alignment of sunlight on high-altitude clouds above North Dakota and the Molniya orbits of the satellites, an error later corrected by cross-referencing a geostationary satellite.

Petrov later indicated that the influences on his decision included: that he was informed a U.S. strike would be all-out, so five missiles seemed an illogical start; that the launch detection system was new and, in his view, not yet wholly trustworthy; and that ground radar failed to pick up corroborative evidence, even after minutes of delay.
However, in a 2013 interview, Petrov said at the time he was never sure that the alarm was erroneous. He felt that his civilian training helped him make the right decision. His colleagues were all professional soldiers with purely military training and, following instructions, would have reported a missile strike if they had been on his shift.

Petrov underwent intense questioning by his superiors about his judgment. Initially, he was praised for his decision. General Yury Votintsev, then commander of the Soviet Air Defense's Missile Defense Units, who was the first to hear Petrov's report of the incident (and the first to reveal it to the public in the 1990s), states that Petrov's "correct actions" were "duly noted". Petrov himself states he was initially praised by Votintsev and promised a reward, but recalls that he was also reprimanded for improper filing of paperwork because he had not described the incident in the war diary.

He received no reward. According to Petrov, this was because the incident and other bugs found in the missile detection system embarrassed his superiors and the influential scientists who were responsible for it, so that if he had been officially rewarded, they would have had to be punished.
He was reassigned to a less sensitive post, took early retirement (although he emphasizes that he was not "forced out" of the army, as it is sometimes claimed by Western sources), and suffered a nervous breakdown.

In a later interview, Petrov stated that the famous red button has never worked, as military psychologists did not want to put the decision about a war into the hands of one single person.

The incident became known publicly in the 1990s upon the publication of Votintsev's memoirs. Widespread media reports since then have increased public awareness of Petrov's actions.

There is some confusion as to precisely what Petrov's military role was in this incident. Petrov, as an individual, was not in a position where he could single-handedly have launched any of the Soviet missile arsenal. His sole duty was to monitor satellite surveillance equipment and report missile attack warnings up the chain of command; top Soviet leadership would have decided whether to launch a retaliatory attack against the West. But Petrov's role was crucial in providing information to make that decision. According to Bruce Blair, a Cold War nuclear strategies expert and nuclear disarmament advocate, formerly with the Center for Defense Information, "The top leadership, given only a couple of minutes to decide, told that an attack had been launched, would make a decision to retaliate."

Petrov later said "I had obviously never imagined that I would ever face that situation. It was the first and, as far as I know, also the last time that such a thing had happened, except for simulated practice scenarios."


Aftermath
Petrov underwent intense questioning by his superiors about his actions. Initially, he was praised for his decision. General Yury Votintsev, then commander of the Soviet Air Defense's Missile Defense Units, who was the first to hear Petrov's report of the incident (and the first to reveal it to the public in the 1990s), stated that Petrov's "correct actions" were "duly noted." Petrov himself stated he was initially praised by Votintsev and was promised a reward, but recalled that he was also reprimanded for improper filing of paperwork with the pretext that he had not described the incident in the military diary.
He received no reward. According to Petrov, this was because the incident and other bugs found in the missile detection system embarrassed his superiors and the influential scientists who were responsible for it, so that if he had been officially rewarded, they would have had to be punished. He was reassigned to a less sensitive post, took early retirement (although he emphasizes that he was not "forced out" of the army, as it is sometimes claimed by Western sources), and suffered a nervous breakdown.

Oleg Kalugin, a former KGB chief of foreign counter-intelligence who knew Soviet chairman Andropov well, says that Andropov's distrust of American leaders was profound. It is conceivable that if Petrov had declared the satellite warnings valid, such an erroneous report could have provoked the Soviet leadership into becoming bellicose. Kalugin said, "The danger was in the Soviet leadership thinking, 'The Americans may attack, so we better attack first.'"

The incident became known publicly in the 1990s upon the publication of Votintsev's memoirs. Widespread media reports since then have increased public awareness of Petrov's actions.

Surprising Photos Of Young World Leaders Before They Became Big

Joseph Stalin As A Young Man, 1902

Young Bill Clinton Shaking Hands With President John F. Kennedy In The Rose Garden Of The White House.
 July 24, 1963
Eighteen-year-old Princess Elizabeth Of England During Her Time In The Auxiliary Territorial Service During 
WWII Where She Drove And Repaired Heavy Vehicles
1945

Vladimir Putin As A Young Teenager, 1966

Young Barack Obama Smoking A Joint

John F. Kennedy At Age 10, Hair Slicked Back, 1927

Richard Nixon Is Shown As A Member Of The Whittier College Football Squad In Whittier, 
CA, 1930s

Young Donald Trump In New York’s Military Academy

Angela Merkel Prepares A Meal On A Campfire While Camping With Friends In Himmelpfort, German Democratic Republic 
In July 1973

Young Nelson Mandela In 1961

The Shocking Story Of Olga Hepnarová, A Truck-Driving Mass Murderess

By Mark Pickering
In one fell swoop, 22-year-old Olga Hepnarová killed eight people and injured dozens more in Prague. Here’s her chilling story.


ONE SUMMER DAY IN 1973, a large group of elderly people were waiting at a Prague tram stop for their morning ride. Around 11 a.m., a pick-up truck suddenly came hurtling down the road, swerved violently onto the pavement and slammed into them.
Screams filled the air, dead bodies lined the streets, and a few meters down the road, sitting calmly in the driver’s seat, was the 22-year-old girl who had decided to kill them all.
Olga Hepnarová is one of Europe’s most prolific and least known mass murderesses. Her heinous crime — an almost unrivaled example of vehicular homicide — took the lives of eight people, and injured a dozen more. While sickening in its method of execution, it was the cold, premeditated way in which it was all planned that is perhaps most shocking of all.


Riddled with psychological problems and fueled by an intense hatred of humanity, the young truck driver decided to enact a monumental act of revenge upon the world. Detailing her motives in letters she delivered to two Czech newspapers two days prior to the murders, Hepnarová stated:
I am a loner. A destroyed woman. A woman destroyed by people…I have a choice — to kill myself or to kill others. My verdict is: I, Olga Hepnarová, the victim of your bestiality, sentence you to death.”
“She wasn´t a werewolf or a fantastic monster,” Weinreb said. “She was a human. In her life, we saw the story of an outcast, of a person that just did not fit into society. Loneliness and hate finally led to the horrifying act of violence – and that was the story we wanted to tell.”

This story, shot in ominous black and white, begins with Hepnarová’s suicide attempt at the age of 13. The attempt, made by taking a handful of the drug Meprobamate, was a culmination of the bullying that she felt she was being subjected to by her classmates.

What followed were long stints of incarceration at a child’s psychiatric clinic in Opařany. During these times, doctors identified a number of unhealthy traits — apathy, insubordination, negativism, detachment, vomiting and nicotine addiction — but were unable to offer a complete diagnosis of Hepnarová’s illness.

One psychiatrist, one of the few people Hepnarová actually opened up to, eventually diagnosed her with schizophrenia. Two years later, in 1967, a week before her 16th birthday, she wrote him a letter, updating him about her state of mind.

She told him that she hadn’t spoken to her father since her last beating, and that she now had nothing to talk about with her mother. She then expressed her view on society in general, writing:
“I hate people. I wonder how my relationship will look as time goes by. I want the people to not exist for me at all, their words and chatter are indifferent to me. That’s what I want. It’s better for me when I’m alone than when I’m with them…Everyone falls for their smiles and fellowship. They mutilated my soul.”
After leaving the hospital and failing to hold down a number of jobs, Hepnarová retired to a cottage in the Czech countryside and got a job working as a truck driver. During this time, her sexual appetite was awakened, and she formed a number of relationships with women — conveyed in the movie by an array of highly-explicit sex scenes.


“She was not just a lesbian,” says Kazda, however. “It would be far too simple to brand her like that. She had relationships with men and women, and she described reaching orgasm with men too. She tended towards women, yes. But she shouldn´t be labelled as a ‘lesbian killer’ or something like that.”

The film, in fact, shows her enjoying a lengthy relationship with an older man, Miroslav, and it was him with whom she spent a long, camping holiday, just before committing her crime.

The crime itself was a cold and calculated one.

Having written the letters to the newspapers (the letters were only opened after the act), she rented a truck and drove to a busy, residential spot in Prague called Strossmayerovo Namesti. The tram stop was a busy one, located at the bottom of a hill, and according to her, allowed a good run-up in order to get maximum impact.

When she initially drove toward it, she changed her mind. Not because of nerves or because she’d had a change of heart; it was because she had felt that the number of people waiting there was too few. After driving round the block and resuming her position, she then tried again.

This time Hepnarová drove with intent, mounting the pavement around 30 meters from the tram stop, and accelerating rapidly into the group of people waiting there. She collided with 20 of them, careened into a number of shops, then stopped at the end of the street. After this, she simply sat and waited for the police.



The collision killed three people instantly, a further five died later in hospital and 12 others sustained other injuries. All of them were elderly.

After the act, Hepnarová showed a complete lack of remorse, repeatedly pleading guilty to her crime and asking during her subsequent trial that she be given the death penalty. Two years later, on March 12, 1975, she was executed.

“She felt to be totally misunderstood by society,” says Kazda. “She wrote about how she was expelled from society, bullied as a teenager and put in the psychiatric hospital by her family.”

“Forty years ago, society did not know how to treat people with the psychological problems that she had,” adds Weinreb. “You were just strange, and others treated you as a stranger. Back at the time of her trial there was either 15 years in prison at most as an appropriate punishment or the death penalty. It was not possible to serve a lifetime. And 15 years in prison just did not seem to be enough for the horror she had done.”
 

The Forgotten Lives Of Jack The Ripper’s Victims

Because he was the first celebrity serial killer, Jack the Ripper’s victims and their tragic lives were always overshadowed by the man himself.


Head to London for a dose of the macabre, and you won’t be disappointed. Guided tours of the Whitechapel district — where in 1888 legendary serial killer Jack the Ripper brutally cut the throats of five prostitutes and removed their organs — continue to draw in droves of tourists to this day.

There’s the Jack the Ripper museum, too, which opened last year to controversy. According to historian Fern Riddell, the museum intended to tell the “history of women in the East End,” but activists said the museum mainly “glamorises sexual violence against women.”

Beyond the outcry, it’s not entirely surprising that the museum shifted focus away from Jack the Ripper’s victims and back onto the killer himself. After all, the mystery surrounding who he was and his motivations never ceases to captivate an audience — so much so that there’s a whole field dedicated to the study of his crimes: Ripperology.

As some have noted, though, at its core this “thriving Ripper industry” is misogynistic, and “commercially [exploits] real-life murder victims.”

Regardless of the truths these criticisms may highlight, fascination with Jack the Ripper and serial killers like him endure — and experts don’t see that changing any time soon. As appears in Psychology Today, “the incomprehensibility of such actions drives society to understand why serial killers do incredibly horrible things…serial killers appeal to the most basic and powerful instinct in all of us—that is, survival.”

This, coupled with media market dynamics, helps cement sustained public interest in figures like Jack the Ripper.

Before Jack the Ripper came along, “lurid violence had long been popular with the media” in England, historians Clive Emsley and Alex Werner explained to BBC History Magazine. “When newspapers first became popular in England during the 18th century, editors quickly recognised the value of crime and violence to maintain or boost sales.”

When looking at Jack the Ripper’s violence, editors saw not just murder but revenue, which helps explain how they covered it. In his paper Murder, Media and Mythology, Gregg Jones explains that “reporting of the murders did not show sympathy for the fate of the butchered women” because “they were prostitutes and seen to have ‘chosen their profession’…[which] facilitated the continuation of reporting scandal and creating moral outrage but without the need for public sympathy for the murdered women.”

In some respects, these patterns persist to this day: Public fascination with serial killers and the spectacle of violence endures while interest in the reality of the victims (especially Jack the Ripper’s victims) quickly fades.

The women who perished at the hands of the first “celebrity serial killer” led troubled lives, and in many ways reveal more about London at the time of the murders than the man who committed them:

  • Jack The Ripper’s Victims: Mary Ann Nichols

Mary Ann Nichols led a brief life marked with hardships. Born to a London locksmith in 1845, she went on to marry Edward in 1864 and gave birth to five children before the marriage dissolved in 1880.

In explaining the roots of the separation, Nichols’ father accused Edward of having an affair with the nurse who attended one of their children’s births. For his part, Edward claimed that Nichols’ drinking problem drove them to part ways.

After they separated, the court required Edward to give his estranged wife five shillings per month — a requirement he successfully challenged when he found out that she was working as a prostitute.

Nichols then lived in and out of workhouses until her death. She tried living with her father, but they did not get along so she continued to work as a prostitute to support herself. Though she once worked as a servant in the home a well-off family, she quit because her employers did not drink.

On the night of her death, Nichols found herself surrounded by the same problems she’d had for the majority of her life: Lack of money, and a propensity to drink. On August 31, 1888 she left the pub where she had been drinking and walked back to the boarding house where she planned to sleep for the night.

Nichols lacked the funds to pay for the entrance fee, so she went back out in an attempt to earn it. According to her roommate, who saw her before she was killed, whatever money Nichols did earn, she spent on alcohol.

Around 4 AM, Nichols was found dead in the street on Buck’s Row, her skirt pulled up to her waist, her throat slit, and her abdomen cut open.


  • Annie Chapman

Annie Chapman didn’t always lead a hard life. She lived for some time with her husband, John, a coachman, in West London.

After the couple had children, however, her life began to unravel: Her son, John, was born disabled, and her youngest daughter, Emily, died of meningitis. She and her husband both began to drink heavily, and eventually separated in 1884.

After the separation, Chapman moved to Whitechapel to live with another man. While she still received ten shillings per week from her husband, she sometimes worked as prostitute to supplement her income.

When her husband died from alcohol abuse, that money stopped, and according to her friends, Chapman “seemed to have given away all together.” A week before she died, Chapman got into a fistfight with another woman over an unreturned bar of soap.

On September 8, 1888, the night of her death, Chapman drank a pint of beer at the lodging house where she had been staying, but — as with Nichols — she didn’t have the money for her bed that night. Chapman asked the house’s deputy to hold a bed for her as she planned to go out and try to earn the money. She never returned.

The next morning, a man named John Davis found Chapman’s body in the doorway of his house.
Her throat had been cut, and she had been disemboweled: Chapman’s uterus and part of her bladder had been removed from her body, and intestines lay on the ground next to her.

Police determined that she died of asphyxiation, and that the killer mutilated her after she died.


  • Elizabeth Stride

Unlike Jack the Ripper’s other victims, who took up prostitution after marriage, Stride was a registered prostitute before she married.

The Swedish-born domestic servant arrived in England in 1866, at which point she had already given birth to a stillborn baby and been treated for venereal diseases.

Stride married in 1869 but they soon split and he ultimately died of tuberculosis in 1884. Stride would instead tell people that her husband and children (which they never actually had) died in an infamous 1878 Thames River steam ship accident and that she sustained an injury during that ordeal that explained her stutter.

With her husband gone and lacking a steady source of income, like so many of Jack the Ripper’s victims, Stride split the remainder of her life living between work and lodging houses. On the night of her death, witnesses said they saw Stride kissing or speaking with a “respectable” looking gentleman, but he was never identified.

Louis Diemschutz, a steward, found Stride’s body in the early hours of September 30, 1888, blood still pouring out of the wound in her neck. Her body had not been mutilated like the others, nor did she show signs of strangulation, but her throat had been cut.

Police speculated that whoever killed Stride was interrupted during the murder, forcing him to find another victim…


  • Catherine Eddowes

Unlike the others among Jack the Ripper’s victims, Catherine Eddowes never married, and instead spent her short life with multiple men.

At age 21, the daughter of a tin plate worker met Thomas Conway in her hometown of Wolverhampton. The couple lived together for 20 years and had three children together. According to her daughter, Annie, the pair split “entirely on account of her drinking habits.”

Eddowes met John Kelly soon after. She then became known as Kate Kelly, and stayed with John until her death.

According to her friends and family, while Catherine was not a prostitute, she was an alcoholic. The night of her murder — the same night Elizabeth Stride was killed — a policeman found Catherine lying drunk and passed out on Aldgate Street.

He arrested her, taking her to the nearby police station where she could sleep off the alcohol. When asked her name at the station, she replied, “Nothing.” Around 1 AM, authorities released Eddowes, who began walking back to Aldgate Street.

Subsequent testimony reveals that a man named Joseph Lawende passed by a couple walking down the street opposite him around 1:30 a.m.; he later identified the woman he saw as Eddowes.

Eddowes would not make it home. Her murder fit in with the pattern of the others, but was even more gruesome. The killer had not only slit her throat and eyelids; he had cut the veins in her neck and flaps of skin from her face, removed her kidneys, and cut open her intestines to release fecal matter.

Dr. Frederick Brown, who performed the post-mortem examination of Eddowes’ body, concluded that the killer must have some knowledge of anatomy if he could remove her organs in the dark.

But Dr. Thomas Bond, who consulted on the Jack the Ripper case, disagreed. He wrote in a letter to Robert Anderson, Secretary of the Prison Commissioners, that, “In each case the mutilation was inflicted by a person who had no scientific nor anatomical knowledge. In my opinion be does not even possess the technical knowledge of a butcher or horse slaughterer.”

A couple weeks later, George Lusk, the head of a neighborhood watch group, received a kidney in the mail, along with a letter “from Hell,” written by a man claiming to be the killer.


  • Mary Jane Kelly

Mary Jane Kelly was born in Ireland, and was by all accounts, the most beautiful of Jack the Ripper’s victims.

Kelly was married for three years, but after her husband died in a coal mine accident, she became a successful prostitute, even living in a high-end brothel where at one point guests called her “Marie Jeannette.”

When she met Joseph Barnett, her partner until her death, they bounced between lodgings in London’s East End, usually getting evicted for drinking or not paying their rent.

According to Barnett, Kelly’s fear of Jack the Ripper prompted her to allow homeless prostitutes to stay in the tiny room she shared with him. The landlord caught wind of her scheme and sent his assistant, Thomas Bowyer, to track Kelly down and collect six weeks worth of rent for that room.

Bowyer, spotting a shattered glass window, entered the abode and found Kelly’s corpse on the bed, mangled beyond recognition.

“The whole surface of the abdomen and thighs was removed and the abdominal cavity emptied of its viscera,” wrote Dr. Bond. “The breasts were cut off, the arms mutilated by several jagged wounds and the face hacked beyond recognition of the features. The tissues of the neck were severed all round to the bone” The killer had piled her organs and flaps of her skin next to the bed.

Kelly could be heard drunkenly singing in her room at 1 a.m., and around 2 a.m, witnesses said they spotted her walking with a man. After that, no light emanated from her room and the singing had stopped.

Alberto Martini Art (1876 - 1954)

"Alberto Martini (November 24, 1876 – November 8, 1954) was an Italian painter, engraver, illustrator and graphic designer. Critics have described Martini's range of work from "elegant and epic" to "grotesque and macabre" and consider him one of the precursors of Surrealism." -
  quote source

Previous posts on Alberto Martini include the following..
Danza Macabra Europea (1915)
Edgar Allan Poe Illustrations (1905)
Illustrations from Dante's Divine Comedy (1937)
Birth - Human Suffering (1923)



Death - The tragedy of force, from "Mysteries" 1914


Grotesque, 1915





  • Illustration from "Between Thee And Him Alone" published in "Raw Edges" by Perceval Landon, 1908





  • Ex libris diablerie for Irene Dwen Pace, 1949





  • The Sold Virgin





  • Madness, 1914





  • Illustration from "The Gyroscope" published in "Raw Edges" by Perceval Landon, 1908



  • Illustration from "Railhead" published in "Raw Edges" by Perceval Landon, 1908






  • Illustration from "Thurnley Abbey" published in Raw Edges by Perceval Landon, 1908






  • The Mermaid and Mosko






  • Grotesque, Mask, 1915



  • Animation, 1915



  • Aglauros Became Rock, 1947


  • Business Cards for Domenico Longo and Vittorio Pica, 1915



  • Human Heart, Frontpiece for The Mysteries, 1915


  • Witch, 1915




  • Traviso, 1914



  • But now that I'm awake, 1910
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